So, were I a scholar in medieval or renaissance Europe, this experience would have been nearly sublime, or beautiful, or something of that significance. My father’s visiting from Atlanta, and knowing that the SD museum’s are the greatest, for reasons entirely having to do with our city’s short history, I’ve been taking him to do other things–kayaking, hiking, camping, and other outdoorsy things.
However, I remembered, whilst attending the free organ concerts at Spreckels Organ Pavilion, whilst listening to “A church service interrupted by a thunderstorm” (which is, apparently a real piece of music), that certain museums are free each Tuesday at Balboa park. And lo! the very museum I had been intending to visit, the San Diego Museum of Man, was free today. So we went over there, wandered around for an inordinate amount of time–at least compared to the other museum enthusiasts…
And here’s the part of the medieval scholarliness: the whole museum, pretty much is about Peru, and recalling that several of my friends are Peruvian Archaeologists, I was even more astonished when I was looking at this religious art form called retablo which is like a triptych, except in Peru, and more popular than the stuffy boring versions in medieval Europe, that one of the revolutionary leaders depicted shared a name with none other than one of my Archaeologist friends.
Now, I am sure that several of those imaginary readers out there are shaking their heads (which really just means that somewhere, inside me, I’m shaking my head at myself, right?), but this goes even further. Then, an exhibit just across the main hall was about several civilizations in Central America and western Latin America–about 30 feet dedicated to the entire history and archaeology of the Olmec, the Aztecs, the Mayans, the Moche, the Incans and all that, except, in the time line of things for western Latin America, there was a noticeable absence in their history of the years between 750CE and 1200CE. Give or take fifty years.
This seemingly inconsequential ommission on their part may have gone unnoticed were it not for some wise, know-it all graduate student, like myself. Well, owing to that self-same graduate student’s friend who has, on occassion ventured so far as to politely inform him that that is the time period in which her work is based, and the civilization of Peru, the middle Chimú period, is the same civilization that had been omitted.
So, as with every great blog post, things must end with how the order of things would come to call this medieval, a la Foucault. Well, so the story goes that things were really based on resemblance back then, and upon coincidence as well. So I am supposed to draw some sort of metaphorical insight out of this neat little coincidence–that the museum I wanted to visit has many Peru exhibits, albeit anachronistic; that a certain revolutionary leader depicted in a retablo shares the name of my friend, and finally that the Chimu culture of the time period she studies was only noticeable as an absence on the stage of…well, cultural anthropology and archaeology.
Oh, one final note–why postmodern? Well I suppose that’s the nature of museums, to give the curiosities and oddities of elsewhere. So, after a day of trephanning, shrinking heads, mummies in Egypt, Peru, and in Northern Europe, several civilizations, some popular folk art, the Kumeyaay Indians of San Diego, and a couple of exhibits on the evolutions of humans and apes, I went and saw a photography exhibit of works by Richard Avedon–portraits mostly…

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